There are many examples of famous songs no longer being played by the bands that made them popular. Paramore notably stopped playing Misery Business, arguably their biggest hit in 2018, eleven years after it’s release, because of a line that was considered degrading. Read into that a different word that YouTube says I can’t use in my intro. In 2022, the band reneged on this and re-added it to the setlist, but what about when an artist brings back a song that has been tarnished for reasons out of their control?
On February 19th 2025, Canadian band Our Lady Peace began their 30th anniversary tour in Calgary, and they played Whatever for the first time since September 2003. The song was used as the entrance theme for Chris Benoit, a name I usually try to avoid using on this channel, unless when historically relevant. The replaying of the song has brought about some mixed feelings from fans, so in this video, I want to briefly explore the song’s history, why some might feel it is too closely linked to WWE, and whether or not the band can reclaim the song as their own. To look at the comments under videos of the song, it seems like lots of fans of both WWE and the band are happy to hear it again, as if the song actually went away, but I also want to take a look at why fans might feel differently.
On March 26th 2002, WWE released Forceable Entry, their latest CD of entrance themes. Whatever was included on this disc before it was used on WWE television. The album also included many songs that had been heard on WWE TV, such as Steve Austin’s theme “Glass Shatters” by Disturbed, as well as “Rollin” by Limp Bizkit, which was used by The Undertaker. It also included songs that hadn’t yet but would soon be used, like “Across the Nation”, the Raw theme that wouldn’t debut until the following month, and Whatever, by Our Lady Peace for Benoit, who at the time was out of action following a serious neck injury. When he returned on the May 27th 2002 episode of Raw, he did so with Whatever playing for the first time.
Speaking to the Edmonton Journal in February 2025, Singer for the band Raine Maida teased that the song was coming back, though it didn’t make headlines until it had actually been performed. He said “We’re playing Whatever, which we did for WWE and it’s kind of got a terrible (Chris Benoit) story attached.” As Maida says, the song was originally recorded for WWE. It also includes the same very distinctive riff as Benoit’s previous music made by WWE’s long time composer Jim Johnston. Jim has varying credits on twelve of the eighteen songs on Forceable Entry, from “remix” on Marilyn Manson’s “The Beautiful People” to match the version used of the song that WWE used on Smackdown, to writing credits on other songs, to a co-”music” credit on Whatever. There are other songs where Jim has no credit at all, but he does on Whatever, implying that it was a WWE song in some part. In a 2021 interview with the RRBG podcast, Johnston explained why music is so important to a wrestler from his perspective. He described entrance music as “a score to that character so every time people hear it, they feel that character. It’s not just thinking about it, they feel that character and what that character is about.”
There are other songs on the WWE album that I couldn’t find evidence of a live performance of, like “End of Everything” by Stereomud, used for Raven, or “The Game” by Drowning Pool, which only seem to have had one live playing, and that was a poor rendition at Wrestlemania 18. With all of this in consideration, it’s easy to see why WWE fans might cringe a bit at hearing the song live again, but why might the band feel differently about it?
Our Lady Peace had been playing Whatever at concerts since May 2001. and according to stats on Setlist.fm, they played the song live at least twenty eight times before it was ever used by WWE, or before Forceable Entry came out. They stopped playing it in 2003, for which I can’t find a reason, so it may have just fallen out of the setlist, replaced by newer songs. Going back to the credits on Forceable Entry, Maida is acknowledged as the song’s writer, while members of the band as well as Jim Johnston are credited for the music. From here it’s already easy to see how the band might feel ownership of it. When they brought it back this weekend, Maida told the audience in attendance “We recorded it and ended up on this kinda big soundtrack”, clearly not wanting to draw the link right away. He goes on to say “Things happen in your life and they can own you or you can own them, we decided to take back ownership of this song because it is our song. It has to do with mental health, and that’s how we’re taking control.” The song’s lyrics never really struck me that way, and the repeated line “I’m not driven by fear, I’m just driven by anger” doesn;t help in separating it from what happened. Following the song, as Maida said they would, the screens showed information for the Suicide Crisis Helpline. A very noble thing to do, but not likely to distance the song from it’s troubled past. Whatever isn’t specifically about Benoit, but showing what he did, those lyrics can take a meaning that the writer clearly couldn’t have meant them to.
It seems that to some fans, Our Lady Peace quite unfairly might never shake the association with Benoit. In 2022, when the band’s song “Run” was announced as the theme for the first Clash at the Castle event, discussion about Benoit came back up. If anything, I wish more fans talked about their song “not enough”, which was used in an excellent video package about Jeff Hardy, including his famous ladder match with Undertaker in 2002. That match, Jim Ross’ call of “climb the ladder kid, make yourself famous”, and Not Enough by Our Lady Peace all stuck with me, much like Jim Johnston was talking about in the quote I referenced earlier.
Before I ask for your opinion, here’s mine. “Cult of Personality” was first used by CM Punk in Ring of Honor in 2005, and since July 2011 it has been his regular entrance theme in WWE, in UFC but we’re not going there, then AEW, then back in WWE. The song was released first in 1988, seventeen years before Punk started using it. There will be some fans who first heard it on WWE programming, but then there will also be some who first heard it in Grand Theft Auto San Andreas in 2004 as I probably did, or from no other media in particular. When I hear Cult of Personality, I don’t necessarily think of CM Punk. When I hear Whatever though, I only think of Benoit, and that’s the distinction. On the other hand, I know very little about Our Lady Peace, and so would I feel differently if I was a fan of theirs?
As a kid at the time, I first learned that Chris Benoit had passed when the regularly scheduled episode of Raw was scrapped, and in it’s place a tribute show aired. Throughout Tuesday I listened to that song, only knowing that Benoit was gone, not yet knowing the details of what had actually happened. It was only when I got home from school and got online that I learned what that man had done, and I’ve rarely if ever heard Whatever since, but that’s just my experience of the song. As I understand it from comments I’ve read, fans of the band may not even know it from wrestling, as it’s a relatively deep cut in their back catalogue, never appearing on any Our Lady Peace album. Perhaps the band is hoping that enough time has passed, that newer fans won’t have the same connection to it that early 2000’s WWE fans like me do? In playing it now for newer fans the context will be removed, initially at least, until a bunch of wrestling fans start making noise about it. It’ll only take a curious Our Lady Peace fan not very long to do a quick google search and after this weekend, to find out exactly why. For this reason, I can’t see it ever escaping it’s quote “troubled past”. From looking at the comments on the subject, there does seem to be a lot of people who still love the song and can separate it from Benoit. If that's you, more power to you though, but it brings back too many thoughts about that day when I found out what had happened.
I’d love to hear your thoughts on any of this, so please let me know in the comments. While this will likely be one of those stories that makes headlines right now but will be forgotten next week, it interested me because of the vastly differing opinions on social media.
Sources:
Paramore - https://metro.co.uk/2018/09/10/paramore-will-no-longer-perform-misery-business-live-due-to-its-slut-shaming-lyrics-7930104/
Maida Interview, February 2025 - https://edmontonjournal.com/entertainment/music/our-lady-peace-raine-maida-interview-edmonton-concert-tour
Jim Johnston interview - https://411mania.com/wrestling/jim-johnston-explains-why-he-doesnt-like-wrestlers-using-mainstream-music/
Live playing info - https://www.setlist.fm/stats/songs/our-lady-peace-63d6eeb3.html?songid=4bd7ff6e
Forceable Entry Credits - https://www.discogs.com/release/2815539-Various-WWF-Forceable-Entry?srsltid=AfmBOoqCETJ9EtBYgequFOm9AGTeXBZvbSdrFol05AfvFPl4BkCitCwY
‘Whatever performance’ Suicide Crisis Line after performance - https://www.youtube.com/watch?v=vQeL-vA14VA
Clash 2022 - https://www.sportskeeda.com/wwe/news-chris-benoit-trends-twitter-latest-wwe-clash-castle-announcement